For concept artists, 3D can be just one step in the process in creating a final illustration. Josu Solano uses Corona to create his artwork, and he shared his creative process with us to show how it can make the world of difference for concept artists like himself.
Continue reading to learn about Josu’s workflow…
Giona Andreani wanted to create a scene with a sense of mystery, and chose Sol LeWitt’s Double Negative Pyramid as the ideal subject.
Read more to see how he put together this haunting image…
Continue reading Giona Andreani – The Making of ‘Double Negative Pyramid’
Take a trip to the dark side! Even when 3D is just one step along the way, Corona is a powerful addition to your toolset. Jeronimo Gomez tells us how he used Corona’s rendering passes to create the template for his image, and then used photobashing and over-painting to give the final result.
Continue reading A Dark Jedi and a Renegade Princess by Jeronimo Gomez
AsymmetricA recently worked on the Dachong development, producing day and night versions of the shot, and they spoke with us about how they created those complimentary images – be sure to open the larger versions of the images to see the extraordinary level of detail!
Continue reading for a look behind the Dachong development project…
Exemplary animator André Holzmeister created ‘Malak and the Boat‘ to tell seven-year-old Malak’s harrowing story of her journey across the Mediterranean seeking shelter from the Syrian conflict. The animation is a key asset in Unicef’s ‘Unfairy Tales’ campaign to raise awareness of the impact of the Syrian crisis on the lives of children. We spoke with him to find out more about this project.
Guillermo Leal LLaguno of Steelblue created a virtual tour of the San Francisco Museum of Modern Art as his personal project. Click on the image below to experience the virtual tour, and read more to find out how it was made.
Continue reading to learn how it was made…
Continue reading Museum of Modern Art – virtual tour by Guillermo Leal LLaguno
Romeo Reboot directed by Rafael Grampá is one of four 10-minute films produced by Axe/Lynx. Corona Renderer was used to achieve realism and integrate the giant and other computer-generated objects into the live action footage.